Watts

This is Watts. He's one half of Watts and Whiskerton. He's the main character in my new book Watts and Whiskerton: Buried Bones and Troublesome Treasure. Pearl (Whiskerton) is equally important, but Watts is a writer and he narrates each books for us.

Watts comes from a family of famous detectives but he's not sure if he wants to be a detective too. So when his parents venture off to investigate a case, Watts heads off to Whiskerton Manor for a holiday. There he befriends Pearl Whiskerton. She loves mysteries and persuades Watts to help her investigate a series of strange goings on.

Watts actually began life as Watson. I wanted to create a character in the tradition of Watson and Hastings, a slightly silly detective's assistant. In the story I was writing Watson was much older and through his investigation he met Pearl, who was young and smart and methodical, and much more likely to solve the case. I abandoned this idea quickly because what Pearl really needed was a friend to help her solve the case, someone as intelligent as she was. I realised they had to be the same age. And suddenly they made sense as a pair. 

We changed his name to Watts before the first draft was written. We wanted a W name to sit nicely with Whiskerton. My editor, Ella, suggested Walker because it had a nice dog themed link and I really liked it until I thought of Watts. I loved how it reminded me of light bulbs and bright ideas, and how his name sounded like a question. He is also the son of Mr and Mrs Watts so technically he's still a Watts' son. 

I can't find my earliest sketchbooks but here is a drawing from an abandoned early plot idea.

Eagle-eyed readers will notice that this scene is still in the first book, just changed a little. This was drawn in pencil and then scanned into my computer. I love drawing in pencil but I do spend a lot of time tidying the outlines. I decided to see if it was possible to get a pencil-like quality digitally since I had 128 pages to illustrate. Here's one of the first digital tests.

I was pleased with the way this turned out and decided to make my first book 100% digitally. It did save me a lot of time when I was drawing outlines. 

Another early test that I really liked had the characters with no outlines at all but I realised I had to draw the outline, colour the character and then remove the outline so I might as well save myself time and keep the outline. Here's a peek at the finished artwork.

I'm really pleased with how it turned out.

Watts and Whiskerton: Buried Bones and Troublesome Treasure publishes on July 4th 2024 and is available for pre-order now by CLICKING HERE. Pre-orders really help authors because they show publishers and booksellers that there's interest in a book. And when it gets delivered you think, 'Ooh, a gift from my past self. How nice!'

Wee Unicorn - Character Design

The weird thing about living in Scotland is that there are unicorns everywhere.  On flags, as statues, and on coats of arms, but after a while you stop noticing them.  They're our national animal.  Here are a few of the Inverness unicorns.

Before I wrote Wee Unicorn I hadn't given them a lot of thought.  And I'd unfairly been a little dismissive of them lately.  There seemed to be unicorns everywhere. 

Normally when I write a book I come up with the character first.  For Wee Unicorn I'd been discussing Scottish folklore ideas and creatures with my editor and so I didn't actually have a character yet.  The first challenge for me was to see if I could draw a unicorn (at all!) but, more importantly, one that felt like mine.

My immediate worry was that unicorns are horses, and wise illustrators know to avoid these because horses are hard to draw.  But all of my main characters are very young, they're the equivalent age of the child reading the book, so they're often small too.  Lesson one: small horses are easier to draw than tall ones.  Manes are harder to draw than you'd expect.  These are the first sketches I did. 

It's hard to describe what I'm looking for when I do these.  I'm obviously looking at things like face shape and proportion, trying to make the most appealing version I can, but I'm also looking for personality.  A drawing that is not just a drawing but that has a little bit of life in it: a character.  It's one of those know it when you see it sort of things.

You can see I'm experimenting with textures, the mane, the first inkling of a scarf, and I'm adding little bits of information that will eventually make up the story.  I don't really know anything about character design but I always draw mine in different moods and situations.  My character design always ends up being how I figure out what the book is about.

Here I've moved on to playing with colour and working out what a Wee Unicorn might actually do all day.  There were many things to consider.  Does my character use their hooves like hands?  Walk on hind legs?  I wanted her to be essentially horse-like, but that does limit what the character can do, especially one so small.  I kept hearing talk of unicorns being magic but it made no sense to me.  I didn't understand how they were magic, what their powers were or why.  Funnily enough, this became my way into the book.  I decided to write about a unicorn who was very small, loud and not magic, even though everyone expected her to be.  I wanted her everyday qualities, ones that were taken for granted, to be what was truly magical about her.  Once you know who your character is they are easier to write about.

Even though I'm experimenting with markings you can she's almost the Wee Unicorn from the book.

I knew my backgrounds were going to be very vibrant so I wasn't too worried about Wee Unicorn being pure white.  I thought she'd stand out nicely but I did want to give her a little something.  I thought a scarf would be a nice detail.  You get a lot of movement in a scarf if your character is running or the wind is blowing.  It's a nice pop of colour and it's cold in the highlands too.

I wanted to keep it traditional looking so I made my version of a Fair Isle knit.  I chose the crown as a motif because unicorns are seen with a crown around their necks on the coat of arms.  I wanted to add a little nod to that.

Wee Unicorn is published by Hachette Children's Books and is available to pre-order now.

Please support your local bookshop or an online indie if you can.

Here are a few places you can buy it CLICK HERE

Bluebell Woods

 

A sketch of my local woods in two colours.  It gets full of bluebells, hence the title, but none were present when I drew it.

Wintry Woods jotter design

 I've recently added some A5 jotters to my shop. They weren't supposed to Christmassy but it's been pretty chilly here for a long time so I was feeling wintry, and really I'd like nothing more that a snowy mountain cabin to myself.

Click here to go to the shop.  

Here's a time lapse video of my cover design.

I did an initial sketch in my sketchbook and then drew straight on to Procreate.  I love how you can watch all the decisions you made.  I'm really happy with the way they turned out.  There's even a cute little 'This book belongs to' on the inside cover, and they're blank so you can sketch or write.  

The View From Here

This was my #colour_collective for this week. 

It's the view from my village woods across to the Black Isle.  I made this sketch sticking to the three colours I planned to use.  More and more I prefer to draw from life in my sketch book and only work from that image, as opposed to working from a photograph.  Sometimes I will take a photo for reference but, for me, a sketch really focuses in on what I noticed and what I liked about the scene in front of me.

When I got home I painted separations in black and coloured the image digitally.  Using a black layer for each colour means that it's hard to predict what the final image will look like.  I like the surprise of this.  I also like painting the layers because I'm not very good at it.  My brushwork isn't tidy and my hand isn't steady.  There's an element of it that I can't control and I really enjoy the results of that.

You can see below how layering them on top of one another starts to create the final image.  Colouring digitally does mean I can change things and you may notice that the big expanse of white water isn't in the separations.  That's because I painted it in the blue colour layer but removed it digitally as the image looked better without it.

I wasn't entirely happy with the result but after tweaking the colours and leaving it for a while, I much preferred it once I'd had some time away from it.  Some pictures are like that. 

Making Pigeon P.I.

Since my second picture book Pigeon P.I. is published in but two weeks, I thought I'd put together a little how-it-was-made.

Pigeon P.I. started life as a flash of inspiration.  I was working on ideas for my second book and I already had a pretty good one.  I wasn't sure if it was THE idea but I liked it.  With about a week to go before my meeting at Andersen Press I had an idea I was far more excited about: I was going to write a film noir picture book and call it Pigeon P.I.  It sounds so simple when you say it out loud but ideas are like that, they're exciting and instant.  It takes a lot of work to make them into something more.

Is it a mystery?  The words 'private investigator' should've been my first clue.

I started to draw using Humphrey Bogart as inspiration for Murray, my pigeon (apologies to Mr. Bogart)

The first Murray.  Sadly, 'you filthy corn husk' didn't make it in.

Faye Dunaway from 'Bonnie and Clyde' helped inspire my canary Vee.  Apologies to Ms. Dunaway but I wanted someone who looked great in hats and there's no denying that she does.

First sketch of Vee

One of many test drawings of Vee

A few more tests.  My art director Beccy and I spent a long time working on what made Vee look young and appealing.  We shortened her hair flick and really focused on her shape.   She was definitely the hardest character to get right.  

The final Vee

I didn't have a story yet but I had most of the characters and a world I wanted to build.  Most importantly I had an idea I was passionate about.  It was THE idea.  Here's some of the sketches I prepared for my meeting.

I make a lot of notes.

This neon colour test didn't make it in but I still like it.

 I was watching Chinatown at this point.





From the final book.

A little joke about a spin-off series

Take a peek under the dust jacket to meet Penguin P.I.

First sketch of the police, who nearly didn't make it when my first draft came in at 50 pages

Sadly the night watch don't feature.  They're biding their time.

 Luckily, the good folks at Andersen Press liked this idea too and we spent our meeting discussing character motivations and all things noir.  With all sorts of wisdom imparted, off I went to sit with my sketchbook to see if these characters really had a story to tell.  It's funny to look back and see how many stages a book goes through when you write it.

This pie-as-an-escape plan is one of my favourite drawings that never went anywhere

It's also amazing to see how much sticks.  One of my very first drawings has remained the whole way through as my first page, with pretty much the same first line.

Only I could think a pile of abandoned newspaper is a 'filing system'

Murray and his filing system

I'm pretty excited about the way this book turned out, it's very different to Life Is Magic but I think they've got some things in common, namely an excess of hand-lettering and background characters.

A note to myself

What I wanted to create was a satisfying mystery in picture book form, to pay homage to the detective books I've loved all my life but to make sure that I was writing it for a picture book audience, that this was a satisfying world and story in itself and not just a parody of something I loved.  I hope I've managed to do that.

Raccoons

With my second picture book finally finished I've been busily writing my third whilst waiting for other projects to begin.  Everything lately has been very much in a rough pencil drawn stage so it's been a while since I actually completed an image.  Today I just wanted to finish something, and these little chaps were waiting in my sketchbook.

Here are a few more raccoons from the same sketchbook...

Sneaky peek of sketches and whatnots

Since Life Is Magic is finally almost out I thought I'd share a few sketches and pics of the book in progress.

Original back cover sketch

Final back image

Case cover planning page

Case cover drawing

Finished cover

Initial frames sketch

The frames in action

Title page sketch

For more sneak peeks check out The Booksniffer's blog

You can watch the amazing trailer HERE

Life Is Magic publishes March 3rd and can be bought in all the regular places, lovely bookshops especially.   You can read more about the book here.