Wee Unicorn - Colour Palette

As someone who loves printmaking I have always been a fan of the limited colour palette. My previous books have all featured items in whatever colour they needed to be but Wee Unicorn is different. I knew I was making a fantastical world and decided that would be the perfect environment to use heightened colour.

In the months prior to making the book I'd been doing a lot of sketching using only two or three coloured pencils. I was used to working in a limited way, and I loved the challenges it created.

I had one other reason: I knew my book was going to feature a Loch Ness monster style creature. Now, I live in the heart of Loch Ness monster country and there's a very distinctive colour I associate with it and many of the books about it. You can see it right in the middle of this Emily Mackenzie poster. Four rows down, four across: she calls it 'Nessie'.  

I wanted to avoid this colour. I wanted to make something contemporary and visually different so I decided to get rid of the green. Of course, I can create a green with my blue and yellow but I wanted to use it sparingly and definitely not for Ness. I also started sketching ideas for the book over winter when many of the greens were gone. We have so many burnt oranges, deep burgundies and purples in our landscape that I wanted to celebrate. When I started sketching the book I used these four colours.  

A peek in the sketchbook

And I really liked them. When it came time to make the artwork for the book I did wonder if they'd be too overwhelming so I did a test page. This is a quick test on my Ipad to see how the blocks of colour might look.

Next I did a proper layout with the textures I was planning on using.

 

The larger image are the colours I ended up using. The smaller was an alternative I explored. As you can see they're incredibly similar but the turquoise was a little bluer, the pink a little brighter. And although these shades worked nicely, the secondary colours they created weren't as good.

These are my four final colours.

I used these four colours and layered them to make the secondary colours. If you imagine each colour is a layer of coloured glass it makes more sense to understand that when two of them overlap a new colour is created.  

You get even more variation when you start layering three or four of the colours together.  Here are a few different combinations from the book.

I like that the cover ended up being a nod to the colour palette.

I'm really pleased with the way the book turned out, and I really enjoyed working this way.  I'd love to do a book with only two colours someday.

Wee Unicorn is available to buy now. Click here for links.

Or you can look for it at your local library.